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Born: 1951, Stevens Point, Wisconsin |
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| ONE PERSON EXHIBITIONS | |
| 2016 | “Demons”, Elizabeth Harris Gallery, New York, NY |
| 2014 | “Paradise”, Elizabeth Harris Gallery, New York, NY |
| 2012 | "Beautiful Beast", Studio 10, Bushwick, Brooklyn |
| 2010 | "Faded Flag", Long Island University, Brooklyn Campus, NY |
"Flags, Plates & Demons", Elizabeth Harris Gallery, New York, NY |
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| “Faded Flag”, Art Omi, Ghent, NY | |
| 2001 | “The Devil and the Deep Blue Sea”, Bill Maynes Gallery, NY |
| 1999 | “From Nature”, Bill Maynes Gallery, New York, NY |
| 1997 | Bill Maynes Gallery, New York, NY |
| 1996 | Bill Maynes Contemporary Art, New York, NY |
| 1994 | Holly Solomon, New York, NY |
| 1992 | Max Protetch Gallery, New York, NY |
| 1987 | Michael Klein, inc., New York, NY |
| 1986 | Curt Marcus Gallery, New York, NY |
| GROUP EXHIBITIONS | |
| 2017 | New Gallery/New Work, Elizabeth Harris Gallery, New York |
| 2016 | Conference of Birds, Shirley Fiterman Art Center, curated by Brenda |
Chasing the Rose, The Dutch Barn, Clinton Corners, NY |
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| 2014 | 20th Anniversary Show, Pierogi Gallery, Brooklyn, NY |
Pressed Flowers, curated by Catherine Howe, Lesley Heller Gallery, NYC |
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| 2012 | “Rockslide Sky”, curated by Carleen Sheehan, Fordham University at |
“Text”, Studio 10, Brooklyn, NY |
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“Textility”, Visual Arts Center of New Jersey, Summit, NJ |
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| “Spring in Boston”, Drive-By Gallery, Watertown, MA | |
| “Sculpture”, Big, Small and Casual Gallery, Long Island City, NY | |
| 2011 | “Flag Day”, Islip Museum, Islip Long Island, NY, curated by Janet Goleas |
“Spiral Bound”, curated by Howard Foster, University of California, |
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| 2010 | “Cognitive Unconscious”, curated by Robert Walden, Lesley Heller Gallery, New York, NY |
| “Bruised Childhood”, curated by Monroe Denton, Fredericke Tayler Gallery,New York, NY |
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| 2009 | “Big, Small and Casual”, Mary Carlson & Laura Newman; Big, Small/Casual Gallery, Long Island City, NY |
“Twin, Twin”, curated by Matt Freedman; Big, Small/Casual Gallery, |
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“By a Thread”, curated by Miles Manning, Elizabeth Harris Gallery, |
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“Re-Accession,” curated by Philae Knight and Amanda Steck, |
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| 2007 | “Group Show”, Rose Burlingham & Lindsey Brown, Clinton Corners, New York, NY |
| 2006 | “B-Side”, Sarah Bowen Gallery, Williamsburg, Brooklyn, NY |
| “Color Correction”, Roger Smith Hotel, New York, NY | |
| 2005 | “Monochrome”, Elizabeth Harris Gallery, New York, NY |
“Somewhere Outside It”, Schroeder/Romaro, Brooklyn, NY |
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“Synthesis and Distribution: Experiments in Collaboration”, |
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| 2004 | “Power T's”, Pierogi Gallery and Four Walls, Brooklyn, NY |
| 2003 | “Pins and Needles”, John Michael Kohler Arts Center, Sheboygan, WI |
| “Water, Water”, curated by Lilly Wei, Rotunda Gallery, Brooklyn, NY | |
“Williamsburg Salon”, Central Connecticut State University, New Britain, CT |
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“Vessels”, curated by Joe Fyfe, Jane Hartsook Gallery, |
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| 2001 | “Brooklyn”, Palm Beach Institute of Contemporary Art, Lake Worth, FL |
| “Sculpture”, Flipside Gallery, Brooklyn, NY | |
| “Wonderland”, Massachusetts College of Art, Boston, MA (catalog) | |
| “Collecting Ideas:Works for the Polly and Mark Addison Collection”, Denver Art Museum, Denver, CO |
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| 2000 | “Snapshot”, Contemporary Museum, Baltimore, MD |
| Galerie Brigitte Weiss, Zurich, Switzerland | |
| “Ethereal and Material”, Delaware Center for the Contemporary Arts, Wilmington, DE |
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“Muscle – Power of the View", Boulder Museum of Contemporary Art, |
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"Quirky", Adam Baumgold Gallery, New York, NY |
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“Gallery Artists”, Bill Maynes Gallery, New York, NY |
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| 1999 | “Skin”, Deste Foundation, Athens, Greece |
“Avoiding Objects”, Apex Art, New York, NY |
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| “Lab Works”, Islip Art Museum, Islip, NY | |
| 1998 | “Conversation – Gregory Botts and Mary Carlson”, Art Resources Transfer, New York, NY |
| “Surreal Pop”, Aldrich Museum, Ridgefield, CT | |
| “A.R.T.”, Vedanta Gallery, Chicago, IL | |
| “Engel, Engel”, Kunsthalle am Wien, Vienna, Austria | |
| 1997 | “Engel, Engel”, Galerie Rudolfinum, Prague, Czech Republic |
| “Projects.doc”, Shiffler Collection, Cincinnati, OH | |
| 1996 | “Shirts & Skins”, Contemporary Museum, Honolulu, HI |
Sculpture Center at Roosevelt Island, Sculpture Center, New York, NY |
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| “Body Language - New York", Florida State University, Tallahassee, FL | |
“Thin Air: Examining the Ethereal,” Elsa Mott Ives Gallery, New York, NY |
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| 1995 | “Identia e Alterita”, Venice Biennale, Museo Correr, Venice, Italy |
“. . . It’s How You Play the Game”, Exit Art/The First World, New York, NY |
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“More Than Real”, Gallery 404, University of Illinois, Chicago, IL |
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Susan Inglett Gallery, Gramercy Park Hotel, New York, NY |
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| 1994 | “Created/Mutated”, Dru Arstark Gallery, New York, NY |
“Material Concerns”, Rotunda Gallery, Brooklyn, NY |
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“Whateva”, Dru Arstark Gallery, New York |
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| 1993 | “Exquisite Corpse”, Drawing Center, New York, NY |
| “Artists’ Early Work”, Max Protetch Gallery, New York, NY | |
“Group Show”, Cheryl Haines Gallery, San Francisco, CA |
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| “Clothing as Metaphor”, The Art Museum, Florida International University, Miami, FL |
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| “Mapping: An Index of Experience”, Germans van Eck, New York, NY | |
| “Patently Missing”, Barbara Krakow Gallery, Boston, MA | |
| “Bodily”, Penine Hart Gallery, New York, NY | |
| 1992 | “Getting to kNOw you”, Kunstlerhaus Bethanien, Berlin and |
| “A New American Flag”, Max Protetch Gallery, New York, NY | |
| 1991 | “The Interrupted Life”, The New Museum, New York, NY |
| 1990 | “Something Strange”, White Columns, New York, NY |
| “Blood Remembering”, Newhouse Gallery, Snug Harbor, Staten Island, NY | |
| “Death and Desire”, Tom Cugliani Gallery, New York, NY | |
| 1989 | “Psychological Abstraction”, Deste Foundation, Athens, Greece |
| 1988 | “Ironic Abstraction”, University Art Galleries, University of South Florida, Tampa, FL |
Window Installation, Grey Art Gallery, New York University, New York, NY |
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“Desired Paths”, Outdoor Sculpture at Schulman Park, White Plains, NY |
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| “Shape as Form”, Penine Hart Gallery, New York, NY | |
| 1987 | “The Level of Volume”, Carl Solway Gallery, Cincinnati, OH |
| 1986 | Group Show, Lang & O’Hara Gallery, New York, NY |
| "Emerging Artists 1986", Cleveland Center of Contemporary Art, Cleveland, OH |
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“New Sculpture”, Michael Klein, inc., New York, NY |
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| 1985 | “Summer Selection”, Castelli Uptown Gallery, New York, NY |
“New Art”, Modernism Gallery, San Francisco, CA |
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| “Appropriations: Black & White”, Vanguard Gallery, Philadelphia, PA | |
| BIBLIOGRAPHY | |
| 2016 | Maine, Stephen, "Mary Carlson's Favorite Demons", Hyperallergic, |
| 2015 | Graves, Romanov, Mary Carlson - Studio Visit, Friday, January 2 |
| 2014 | Johnson, Ken, "Mary Carlson:'Paradise'", The New York Times, May 29 |
| 2012 | Brody, David, “Lady MacBeth’s Fingernail Polish": |
| Dickson, Jane, "Beautiful Big Blue Beast", BOMB, October 25 | |
D’Agnostino, Paul, “Editor’s Picks", L Magazine, October 24 |
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| 2010 | Perreault, John, Artopia, May |
| Foster, Howard, "Mary Carlson at Elizabeth Harris", Romanov Grave, December 27 |
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| Kalm, James, “Faded Flag”, video of opening at Long Island University, May | |
| 2006 | Johnson, Ken, “Listings”, The New York Times, April 14 |
| 2005 | Mueller, Stephen, “Personal Statements in Just One Color”, Gay City News, June 23 - 29 |
| 2003 | Auer, James,”Arts center goes its own way”, Milwaukee Journal Sentinel, November 25 |
| Conner, Jill, "Nice and Wet", Artnet, June, 10 | |
| 2001 | Robinson, Walter, "Review", May 21 |
| Temin, Christine, “Imagination Runs Wild in ‘Wonderland'", The Boston Globe, January 30 |
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Johnson, Ken, “Art in Review”, The New York Times, Friday, April |
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| Gomez, Edward M., “Taking the Spirit of Brooklyn on a Florida Vacation”, The New York Times, September 26 |
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| 2000 | Omlin, Sibylle, “Nicht nach der Nature", Neue Zurcher Zeitung, January 12 |
| "Etheral and Material", exhibition catalog, Delaware Center for the Contemporary Arts, September 21 - November 21 |
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| Kino, Carol, “Mary Carlson at Bill Maynes”, Art in America, February | |
| 1999 | Robinson, Walter,"Review', Artnet, June |
| Harrison, Helen A., “In Islip, Experimentation and Installation”, The New York Times, August 29 |
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| Schmerler, Sarah, “Avoiding Objects”, Time Out New York, February 4-11 | |
| Robinson, Walter, "Berlin Art Diary", October 2 | |
| 1998 | "Pop Surrealism", exhibition catalogue, The Aldrich Museum of |
Drolet, Owen, “Mary Carlson – Bill Maynes”, Flash Art, May-June |
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| Schaffner, Ingrid, “Mary Carlson at Bill Maynes”, ArtForum, May | |
| 1997 | Nahas, Dominique, “Review”, Mary Carlson, December 1 |
| Gluck, Grace, “Art in Review”, The New York Times, November 28 | |
| Pilcher, Cathrin (Editor), ":Engel:Engel, Legenden der Gegenwart", exhibition catalog, Kunsthalle Wien, Springer Wien/ New York publishers |
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| 1996 | "Body Language", exhibition catalogue, Museum of Fine Arts, Florida State University, Tallahassee, Florida, October |
| “Art in Review”, The New York Times, Friday, March 1 | |
| Denton, Monroe, "Mary Carlson: Furnished", exhibition catalogue, Bill Maynes Contemporary Art, New York, February |
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| Princenthal, Nancy, “Mary Carlson at Bill Maynes”, Art in America, November | |
| 1995 | "Identita e Alterita: Figures of the Body 1895/1995", exhibition catalogue, la Biennale di Venezia. Marsilio Editori |
| Smith, Roberta, “The New, Irreverent Approach to Mounting Exhibitions”, The New York Times, January 6 |
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| 1994 | Wallach, Amei, “Dialogue Among Curators Is a Mind Game With Art”, |
| Levin, Kim, “Choices”, The Village Voice, December 27 | |
| 1993 | Larson, Kay, "Clothing as Metaphor", exhibition catalogue, The Art Museum, Florida International University, Miami, January |
| "Getting to Know You: Sexual Insurrection and Resistance", exhibition catalogue, Kunstlerhaus Bethanien, Berlin; Spring |
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| Florida International University, Miami, January | |
Cottingham, Laura, “getting to kNOw you: Sexual Insurrection and |
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| 1992 | Cotter, Holland. “Art in Review”, The New York Times, April 10 |
| “Goings on about Town”, The New Yorker, April 6 | |
| 1991 | "The Interrupted Life", exhibition catalogue, The New Museum of Contemporary Art, New York, September |
| Faust, Gretchen, “New York in Review”, Arts Magazine, February | |
| 1990 | Zimmer, William, “Everyday Expectations with a Twist”, The New York Times, December 23 |
| 1989 | Deitch, Jeffrey, "Psychological Abstraction", exhibition catalogue, Deste Foundation, Athens, Greece, July |
| 1987 | Rinder, Larry, “Corporate Culture”, Manhattan, Inc., February |
| 1986 | Brenson, Michael, “Participation in the Cultural Zoo”, The New York Times, May 30 |
| Cameron, Dan, “Ten to watch”, Arts Magazine, September | |
| GRANTS & AWARDS | |
| 2015 | Tiffany Foundation Grant |
| 2007 | New York Foundation for the Arts Grant |
| 1993 | John Simon Guggenheim Fellowship (sculpture) |
| 1988 | National Endowment for the Arts (sculpture) |
| EDUCATION | |
| 1973 | School of Visual Arts, B.F.A. |